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Biographical

Bright Star

Directed by: Jane Campion,
Australia/UK/France
,
119 minutes, Rating: PG

Based on the true story of 19th century poet John Keats and his three-year romance with Fanny Brawne, this literary biopic from Oscar-winner Jane Campion (The Piano)  also stars UNCSA alum Paul Schneider, who has amassed an impressive array of striking and distinctive film roles. Following the screening, Schneider will participate in a discussion about the film and his career, and will be presented with RiverRun’s 2012 Emerging Master Award.

Ethel

Directed by: Rory Kennedy, USA, 97 minutes, Rating: TN

Who better to tell the life story of Ethel Kennedy (widow of the late Bobby Kennedy) than her youngest daughter, Rory.  Incorporating stories told by all eleven of the Kennedy children, this film is a truly intimate, personal and deeply moving portrait of one of the greatest American political families.

Full-Time Ministry

Directed by: Helen Hood Scheer, USA, 4 minutes, Rating: MT

This short is a fascinating character portrait of a high-school teacher who is also a devout Christian and who struggles to keep his religion outside of the classroom.  As a way of letting go of the stress of everyday life, Paul instead turns to ice carving and at night sets about creating his gospel-inspired sculptures.

Jiro Dreams of Sushi

Directed by: David Gelb, USA, 81 minutes, Rating: TN

One wouldn’t expect to find the finest sushi restaurant in the world in the basement of a nondescript Tokyo office building, but that’s where Sukiyabaski Jiro has worked for a majority of his 85 years.  Now, facing retirement, his son Yoshikazu must take over from this sushi master.

Kevin

Directed by: Jay Duplass, USA, 36 minutes, Rating: TN

Filmmaker Jay Duplass’ documentary investigates the story of Kevin Gant, an inspired and beloved Austin musician who disappeared from the scene in 1995. Who is Kevin? What happened to him? And, can he get back what he lost? – All three screenings will feature a special live musical performance from Kevin Gant!

Love Free or Die

Directed by: Macky Alston, USA, 82 minutes, Rating: MT

Gene Robinson has become a well-known name in the past decade, having ignited a firestorm of controversy as the first openly gay person to become a bishop.  Through this very personal story audiences will become privy to the toll it has taken on Robinson in weathering the storm.  Director to be in attendance for 4/15 and 4/16 screenings

Queen of Versailles

Directed by: Lauren Greenfield,
USA/Denmark/Netherlands/UK
,
100 minutes, Rating: MT

Queen of Versailles is a character-driven documentary about a billionaire family and their financial challenges in the wake of the economic crisis. With epic proportions of Shakespearean tragedy, the film follows two unique characters, whose rags-to-riches success stories reveal the innate virtues and flaws of the American Dream. The film begins with the family triumphantly constructing the biggest house in America, a 90,000 sq. ft. palace. Over the next two years, their sprawling empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis.

The Boy Who Was a King

Directed by: Andrey Paounov,
Bulgaria/Germany
,
90 minutes, Rating: MT

Paounov’s film tells the fascinating story of Simeon Saxe-Coburg-Gotha, who at the age of six became the Tsar of Bulgaria, only to then be overthrown by communist dissenters at the age of nine.  The film presents Gotha’s harrowing and complicated return after 50 years in exile.  Director to be in attendance for all three screenings

The Island President

Directed by: Jon Shenk, USA, 101 minutes, Rating: PG

President Mohamed Nasheed of the Maldives is credited with bringing democracy to his country.  His next challenge is combating a threat that is much harder to control, the possibility of the entire country slowly disappearing under the sea. 

Under African Skies

Directed by: Joe Berlinger,
USA/South Africa
,
108 minutes, Rating: MT

Twenty-five years after his album “Graceland” became an international sensation, musician Paul Simon returns to South Africa to reconnect with his collaborators and perform again with them. He also answers his most vocal critics, who asserted in the 1980s that he hindered the fight against apartheid.

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