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Drama

2001: A Space Odyssey

Directed by: Stanley Kubrick,
UK/USA
,
141 minutes, Rating: G

Based on Arthur C. Clarke’s story “The Sentinel,” this landmark 1968 epic is a mind-bending, sci-fi symphony. Director Stanley Kubrick spent over two years meticulously creating the most “realistic” depictions of outer space ever seen, pushing the limits of narrative and special effects toward a meditation on technology and humanity.

A Little Closer

Directed by: Matthew Petock, USA, 78 minutes, Rating: MT

In a backwater Virginia town, a single mom struggles to raise two unruly boys growing increasingly independent and pre-occupied with the opposite sex.  Petock’s debut feature presents a moving and naturalistic sketch of a working-poor family trying desperately to keep their heads above water.           

After School Special

Directed by: Jacob Chase, USA, 9 minutes, Rating: MT

In this vignette penned by master playwright Neil LaBute, a Chuck E. Cheese-like pizza palace sets the stage for a seemingly innocuous encounter between two single parents while their children play.  Things are not as wholesome as they appear however, leading to a shocking conclusion in the most wickedly twisted way imaginable. 

Bad Fever

Directed by: Dustin Guy Defa, USA, 77 minutes, Rating: MT

Fixated on securing a gig at a second-rate Salt Lake City comedy club to impress a street urchin girl he’s befriended, socially adrift naïf Eddie sets down a heartbreakingly hopeless path in seeking to forge the real human connection that’s always eluded him.  Director to be in attendance for 4/21 and 4/22 screenings

Birthday Psalm

Directed by: Zach Laws, USA, 12 minutes, Rating: MT

At a birthday party for a group of young children, the parents lack of supervision turns dangerous when the birthday boy, Christian, focuses on the unwelcome attendee Cody, whose unearthly ability to charm Christian’s older friends gets him in more trouble than he could have ever imagined.  Student Film – University of North Carolina School of the Arts

Bright Star

Directed by: Jane Campion,
Australia/UK/France
,
119 minutes, Rating: PG

Based on the true story of 19th century poet John Keats and his three-year romance with Fanny Brawne, this literary biopic from Oscar-winner Jane Campion (The Piano)  also stars UNCSA alum Paul Schneider, who has amassed an impressive array of striking and distinctive film roles. Following the screening, Schneider will participate in a discussion about the film and his career, and will be presented with RiverRun’s 2012 Emerging Master Award.

Elena

Directed by: Andrei Zvyagintsev, Russia, 109 minutes, Rating: MT

The ages-old adage that a mother will do anything to protect her children finds new meaning in the domestic stunner Elena.  When her well-to-do husband takes ill and threatens to excise her parasitic son from the will, Elena must take desperate measures to ensure the security of her progeny.

Fatakra

Directed by: Soham Mehta, USA, 19 minutes, Rating: MT

When a young Indian family reunites in America after many months of separation and isolation, sparks fly between everyone involved.  The wife believes the husband is not working hard enough to get their life on track, the son thinks his father has essentially abandoned them and the husband is simply trying to please everyone while making sure he can keep his family afloat.

For Ellen

Directed by: So Yong Kim, USA, 93 minutes, Rating: MT

Joby (Paul Dano), a struggling musician, who hasn’t been around to be a father, takes an overnight long-distance drive in order to fight his estranged wife for custody of their young daughter, Ellen.  A story of painful internal transformation, For Ellen is also a very poignant account of the complexities of the father/daughter relationship. The strange chemistry between the two is very touching, illustrating how two so seemingly different people, carrying so much baggage, can still connect on a deep, inner level.

Found Memories

Directed by: Júlia Murat,
Argentina/Brazil/France
,
98 minutes, Rating: TN

Life is simple and habits patter out a warm, familiar cadence in an aging, off-the-map Brazilian village.  The sudden appearance of Rita, a dynamic young photographer, disrupts the monotony and sets in motion a civil transformation that approaches the mythological, culminating in a haunting, unforgettable final coda.

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